On March 7, 2026, artist Yang Yexin invited fifty performance participants and stamped each of their faces, leaving striking red shoe prints. These shoe prints belong to significant figures in the participants' lives, including those of parents, partners, ex-lovers, close friends, colleagues, classmates, leaders, professors, shareholders, online friends, and others. Through this act of "stamping on faces", the artist intends to explore social issues of "oppression and trampling" such as family relationships, workplace struggles, power oppression, and campus trauma, inspiring profound reflection and discussion on social relations and social systems.
